Flute and violin are like sisters. We share the same vibe (and range). We think the others is cocky and have bad taste. Still we steal repertoire from each other every now and then.
Astor Piazzolla has a wonderful Histoire du Tango suite. Violins love this piece. Violins are powerful. But sometimes it can be hard for them to embody the vulnerability. Especially in the 2nd mvt: Café 1930:
I love Hadelich but he is too perfect in this recording. The 4th movement Concert d’aujourd’hui is also, just too rigid, not quirky enough—he should have do more dramatic contrasts: