Contemporary program: Joyce Light and Dark Villa-Lobos Assobio a Jato (“Jet Whistle”) for flute and cello Shaw Boris Kerner for cello + flower pots Chen Yi Qi for flute, cello, percussion, piano Dehnhard WAKE UP! for piccolo and alarm clock Gosfield Daughters of the Industrial Revolution Farrenc Piano Trio No. 4 in E Minor, Op. 45 What a program. When UChicago hands the reins to the artists themselves (according to Cynthia Yeh in the post-concert panel) — letting artists choose what they actually want to play — the results speak for themselves. No institutional hedging, no safe overtures. What we got instead was a concert of proper, fearless, genuinely good contemporary music. And the ensemble really CSO’s chamber music dream team: ...

You can shuffle allocation, but competition is still there: 重磅：广州将不分重点班！小学和初中新生或“一键分班” Source: 羊城晚报 (Yangcheng Evening News), by 蒋隽, April 15, 2026. Link Breaking News: Starting September 2026, Guangzhou will ban tracked classes (重点班) in all Grade 1 and Grade 7 cohorts. Students and teachers will be randomly assigned via a centralized “one-click” system. The core mechanism is DOUBLE RANDOMIZATION! “9月新学年入学的一年级和初一新生将在教育部门组织及监管下’一键分班’，同时老师也将随机匹配” “Grade 1 and Grade 7 students entering in September will be ‘one-click assigned’ under the organization and supervision of the education bureau; teachers will also be randomly matched.” ...

Erdodic’s Wikipedia definition is very general (and confusing) — “time averages equal ensemble averages”? Here’s a simplified version for finite-state markov chain: Let $\{X_k\}_{k \geq 0}$ be a Markov chain on state $S$. Let $\pi\in \Delta(S)$. Let Let transition operatro be $P$, so $\pi^{t + 1} = P \pi^t$. Define stationary distribution $\bar \pi$ as $X_0 \sim \bar \pi$ where $P\bar\pi = \bar\pi$, the stationary process satisfies $$ (X_0, X_1, \dots) \overset{d}{=} (X_1, X_2, \dots) $$ Definition. The stationary process $\{X_k\}$ is ergodic if for every bounded function $f: S \to \mathbb{R}$ the following convergence hold a.s.: ...

Evgeny Kissin returned to Chicago Symphony Orchestra, this time with Andrey Boreyko, opened a short run of concerts built around a thoughtfully balanced program: Rimsky-Korsakov: Russian Easter Overture, Op. 36 Mozart: Piano Concerto No. 12 in A Major, K. 414 Rimsky-Korsakov: Suite from The Tale of Tsar Saltan, Op. 57 Scriabin: Piano Concerto in F-sharp Minor, Op. 20 Rating: ⭐️⭐️⭐️⭐️⭐️. The program is repeated in Chicago the upcoming weekends then next week in Boston. Kissin played Mozart K414 with breathtakingly excitement in elegance. The opening Allegro carried a faint trace of caution, as though he were testing the acoustic and the air of the hall and feeling his way into the space. Even in that slight reserve his articulation remained crystalline. And by the Andante he had fully arrived: the phrasing deepened, the tone softened into something inward and luminous, the music seemed to breathe with so much intimacy. The final Allegretto is buoyant, danced lightly—quick yet unhurried, delicate without fragility. ...

Side Note of Professor Luciano Pomatto from Caltech’s Theory Seminar Talk at UChicago. Kudos to Zizhe for the summary. Ben said it was a great model as it was also well received in the internal student’s discussion. Disclaimer: All intellectual and copy rights belong to the author of the paper. If you like the economic model, make sure to check out Professor Pomatto’s webpage for the OG paper. All mistakes are mine. Setup A decision maker acquires information, choose action, and output. ...

Some sidenotes from price theory iii: Definitions For distributions (pdf) $f_1(\cdot), f_2(\cdot)$: Monotone Likelihood Ratio (MLR): let ratio $$ \phi(l) = \frac{f_1(l)}{f_2(l)}. $$ $f_1$ dominate $f_2$ (in MLR sense) iff. $\phi(l)$ is weakly increasing in $l$. Intuition: Pointwise relative density shifts up Hazard Rate Dominance (HRD): define the hazard rate (aka conditional failure rate): $$ h_{f_i}(l) = \frac{f_i(l)}{1 - F_i(l)} \quad i =1, 2. $$ $f_1$ dominate $f_2$ (in HRD sense) iff. $h_{f_1}(l)\le h_{f_2}(l), \forall l$. ...

It’s very intellectually stimulating to read Professor Stiglitz’s book, or if you’re as lazy as me, playing his YouTube archive recording of the book launch at UChicago. Professor Stiglitz’s most provocative point is almost saying the invisible hand doesn’t exist. Making this claim at the University of Chicago is dangerous… But basically, Kenneth Arrow (also a Chicago veteran) proved the conditions under which Adam Smith’s invisible hand claim holds — and showed how narrow those conditions are. Stiglitz’s argument is that then economists cherry-picked Arrow’s conclusion and ignored his caveats. They took a theorem with heavy asterisks and preached it as gospel. ...

I found a very inspiring video from the digital marketing industry that has economic insights: The video is long. Here’s what I found interesting: The core claim is, micro-influencers (10K–100K followers) deliver positive ROI ~36% of the time. Mega-influencers lose money in 59% of campaigns. Follower count is a poor predictor of returns. Why: Micro influncer is “community based distribution”, like not ads but genuine communication. Engagement is ~4x higher than branded accounts, and you can activate ~100 micro-creators for the cost of one celebrity. ...

Jakub Hrůša and presents Songs of Love and Farewell Death with the CSO — look at the thoughtful program: Janáček Overture to From the House of the Dead Rachmaninov The Isle of the Dead R. Strauss Four Last Songs, with soprano Corinne Winters Wagner Prelude and Liebestod from Tristan and Isolde (Orchestral version) It is a very spiritual experience. My friend says “I feel like I’m floating and entering an ethereal state, and the music just ends there”. ...

Yu Long is our most famous conductor, famous for lot of things: leader of Chinese classical scene, a good Brahms interpreter, and his most popular meme: China’s classical music scene is growing — while young ppl flood into the concert hall to enjoy the music, we also want to show off our music taste by posting “repos” on Social Media (📕), sometimes a little bit overly mean and picky. ...