Shostakovich–the Return of Maxim, Op.45, No. 3, Valse
My impression of Shostakovich used to be largely biased with his chromaticism–the squeakily sharp Symphony No. 1 and the rich underlying emotions embodied in Symphony No. 5, as Apple Music Classical introduced His Symphony No. 5 (1937) and subsequent works express a fury and despair that he could not voice in public, although these works were often leavened with moments of sarcasm, irony, and cheeky allusions to his own private life....